Reeds 'n Stuff Tip Profiler Templates

These Reeds 'n Stuff Tip Profiler Templates are replacements for your tip profiling machines that give you different finishes of your reeds. There are now twelve different templates available, though the standard can also be ordered as a replacement. "GR" is the standard template included on a new tip profiling machine. Here's what their website says about each template:

ARB - Eric Arbiter's adaptation from Bernard Garfield’s and Walter Urbach's reed designs (Description written by Eric Arbiter)

"I discuss the history of this pattern in my book, The Way of Cane. Here are page numbers for other shadow photographs of this particular trim type, similar to these except they are in black and white.

Pages xxv, p. 22, p.73, 92, 111, 172-173, 235 (with thickness measurements), p. 305, Bernard Garfield’s reed.

There are so many different ways to trim the bassoon reed. This particular style is the one that works best for me and my bassoon. It’s also one of the reasons that I wrote The Way of Cane: to sketch out some of the major types of trim styles to try if looking for alternatives for directions for possible improvement.

For anyone more interested in the development and history of this pattern I outline it below.

I found the reed style that made a big difference for me with my month of lessons with Bernard Garfield during my winter term in 1969, my first year at Oberlin Conservatory. I immediately took to his reeds and began to model mine after this style. In those days, reed machines were much simpler so most of the work had to be done by hand.

Fast-forward several years later to 1974 when I started my position of Associate Principal in the Houston Symphony. During my first year, I was having problems playing 3rd bassoon (low and very softly) when the repertory required it. My bassoon was leaking a lot— or my reed making just wasn’t up to the task– but for whatever the reason, I needed help.

I read in To The World’s Bassoonists by Gerald Corey, a recommendation for reeds made by Walter Urbach, who performed in the Berlin and Nuremberg Philharmonic Orchestras, and I ordered four reeds from him, which ended up working very well for me. Coincidentally these reeds were constructed along similar lines to Mr. Garfield’s so it was a win-win for me and solved my problems until I could get my bassoon sealed properly. I continued to use both the Urbach and Garfield reeds as models for my own since that time. This new Reeds ’n Stuff template— ARB— is based on my adaptation of Mr. Garfield’s and Herr Urbach’s reed designs."

BOSA - The "BOSA" template was developed with Matthew Boice, and is consistent with the measurements of the first day scrape from "Making Reeds Start to Finish with George Sakakeeny." This template is designed to be used with the van Hoesen and SVH shapes, but can also be used with the following narrow shapes with good results: Herzberg (With 3 mm cut off of the butt of the shape), Rieger 14, Rieger 1A, Fox 1, and Fox 2. The template is designed for a reed with an overall length of 53.5 mm to 54 mm, with a 27 mm tube length. A scrape length of 15 mm is possible with this template. The center thickness is 0.21 mm at the tip.

DJ - The characteristics of the "DJ" templates relate to the predecessor template "GR5". The reeds have a soloistic sound with a good projection as well. The sides are slightly thinner and you will promptly achieve playable results. A scraping length of 20 mm is possible. The center thickness is 0.32 mm at the tip.

FG1 and FG2 - Reeds 'n Stuff's new templates for bassoon, "FG1" and "FG2", both feature a parabolic tip shape with light corners. "FG1" is characterized by a wide, full heart. "FG2" is distinguished by a narrower heart area and quite pronounced channels on the sides. Both templates are appropriate for use with popular shapes (R2, R1A, etc.) and deliver a round, warm sound. "FG1", with its sturdy design, is also suited for use with softer cane; "FG2" offers somewhat more flexibility. The center thickness is 0.31 mm at the tip.

FG3 - The "FG3" Template is similar to the PM template, but has thinner sides and light channels. This scrape produces a warm, dark sound while maintaining focus and clarity. The center thickness is 0.21 mm at the tip.

GR - For flexible and soft reeds that can be played with a variable airflow. The template "GR" is ideal for softer cane, as well as for thicker profiled cane. A scraping length up to 15 mm is possible. The center thickness is 0.30 mm at the tip.

GR5 - For reeds with a soloistic sound, that are suitable for a continuous airflow and have a good projection. The template "GR5" works great with harder cane, as well as for thinner profiled cane. A scraping length up to 15 mm is possible. The center thickness is 0.30 mm at the tip.

HER1 - The "HER1" Template was designed after the Herzberg principles and designed to pair with the Herzberg shape. The tip is characteristically thin and the sharp step has been lightly rounded, as intended. The center thickness is 0.21 mm at the tip.

LM3 - The template "LM3" has similar characteristics as the template "GR". It produces flexible and soft reeds with a good piano and can be used with soft and thicker profiled cane. The sides of the reeds remain thicker with this template than with the template "GR", especially in the front corners. This allows a thinner overall thickness for lighter reeds that will still have stable sides. A scraping length of up to 20 mm is possible. The center thickness is 0.30 mm at the tip.

PM - The "PM" template was developed with Prof. Pierre Martens of the Lübeck Conservatory. It is characterized by a parabolic tip shape with light corners and a moderately broad heart. While conceived for wider shapes (R2 or similar), it is also well suited to narrower ones. The finished bassoon reed features a round, supple sound and a great deal of flexibility. It requires a well-supported, direct air flow and is therefore especially appropriate for solo and orchestral playing as well as chamber music. It enables a large dynamic range. The center thickness is 0.34 mm at the tip.

Background Information: Prof. Martens uses an R2 shape and primarily Güner, Lavoro, and Danzi cane with hardness 15-16, gouged to approx. 1.25 mm and profiled to 0.95 – 0.60/0.55 mm. The length of his finished reeds is 56 mm, with a shaft length of 28 mm and a scrape length of 28 mm.

THOM - The "THOM" template was developed with Prof. Jörg Michael Thome of the Felix Mendelssohn Bartholdy School of Music and Theater in Leipzig. This template is characterized by its very distinct side channels, which yield reeds with excellent flexibility. The tip is parabolic with light corners; the contour of the heart is narrow. This template is particularly well suited to hard, dense cane and relatively narrow shapes (R1a, Fox 1, FB 1, etc.). The sound of the finished reed is both agreeably dark and vivid. It is balanced throughout all registers and speaks easily, offering a precise attack with little resistance in addition to flexibility. These qualities render "THOM" valuable not only for soloistic and orchestral work, but also for use with students. The center thickness is 0.34 mm at the tip.

Background Information: Prof. Thome prefers the R1A shape and generally uses hard Marca and Vic cane, gouged to 1.25 – 1.30 mm and profiled to 0.90 – 0.60 mm. The length of his finished reeds is 55.5 mm, with a shaft length of 27.5 mm and a scrape length of 28 mm.

VZ - The template VZ is based on the characteristics of the template DJ. It has however a thicker heart, which allows for a thinner overall thickness, depending on the characteristics of the cane. For reeds with a warm and dark sound, especially for dry acoustics, for example in the orchestra pit. A scraping length of 20 mm is possible. The center thickness is 0.34 mm at the tip.

Here is a table of setup measurements to help reset your tip profiling machine or set up a new template.